Muta Imago | reviews
comeacqua
“A deep work, packed with ideas and undoubtedly complex. The first chapter is wonderful and striking (…) The scenic space enchants and even moves.”
Marco Andreoli
Hystrio
“What astonishes is the absolut perfection of the stage-game, the precision, the exactness and so the elegance and the armony of the passages, the formal clearness of this continous raising of fantasies, the extraordinary evocative ability, a talent more narrative than symbolic, and, finally, more describing than conceptual.”
Antonio Audino
Il Sole 24 Ore
“A Nautilus of the research following the traces of Remondi and Caporossi (…) drenched faces and bodies, irrigated mirror, dry ice on smoke: actions, debilitations, assemblages: there’s a method in the green folly of comeacqua”
Rodolfo di Giammarco
La Repubblica
The beauty of the scenes, curated by the authors with precision and rare clearness, causes an epidermic shock. What is rising underskin is a strange restlessness, laid down by this contemporary autism in human relationships. For this reason it’s possible to talk about love, life, brotherhood only from the inside of a crystal shrine that let you see reality in a very precise way, but at the same time keeping you safe from it. “We’re just two lost souls swimming in a fish bowl” sung years ago those who would have make world art from inner walls...”
Graziano Graziani
La Differenza
“The group seems to pick up the baton of a conceptual and human theatre, visionary and communicative, performative and actorial.”
Andrea Porcheddu
Off
“A deep work, packed with ideas and undoubtedly complex. The first chapter is wonderful and striking (…) The scenic space enchants and even moves.”
Marco Andreoli
Hystrio
“What astonishes is the absolut perfection of the stage-game, the precision, the exactness and so the elegance and the armony of the passages, the formal clearness of this continous raising of fantasies, the extraordinary evocative ability, a talent more narrative than symbolic, and, finally, more describing than conceptual.”
Antonio Audino
Il Sole 24 Ore
“A Nautilus of the research following the traces of Remondi and Caporossi (…) drenched faces and bodies, irrigated mirror, dry ice on smoke: actions, debilitations, assemblages: there’s a method in the green folly of comeacqua”
Rodolfo di Giammarco
La Repubblica
The beauty of the scenes, curated by the authors with precision and rare clearness, causes an epidermic shock. What is rising underskin is a strange restlessness, laid down by this contemporary autism in human relationships. For this reason it’s possible to talk about love, life, brotherhood only from the inside of a crystal shrine that let you see reality in a very precise way, but at the same time keeping you safe from it. “We’re just two lost souls swimming in a fish bowl” sung years ago those who would have make world art from inner walls...”
Graziano Graziani
La Differenza
“The group seems to pick up the baton of a conceptual and human theatre, visionary and communicative, performative and actorial.”
Andrea Porcheddu
Off